October 22, 2008

The Puddle Flick

Isn’t it weird how sometimes, apropos of nothing, a random and seemingly inconsequential memory just pops into your head, with surprising clarity? That happened to me the other night. I’m sure it was at least partially triggered by having watched Mad Men earlier in the evening, what with all the smoking that goes on.

In the summer of 1982 I was 17 and had just finished my junior year of high school, the year in which I began my illustrious career as a juvenile delinquent. I failed two of my classes for the year and had to go to summer school to make them up. If you’ve never had to go to summer school, let me tell you, it bites. The only good part about it was that I could drive there: I was a newly-licensed driver and had inherited from my mom a red 1968 Volkswagen Beetle, which is a really great car to have as your first set of wheels. I loved that Bug, man. I could cruise for a week on two dollars worth of gas (of course, it was regular leaded gas and cost about 49 cents a gallon, but still), and park it anywhere, although the manual steering meant that parallel parking was a test of upper-body strength. I could even push it by myself if I had to, and sometimes I did. The dashboard had exactly two buttons on it, one for the lights and one for the wipers. It had an AM-only radio and a top speed of about 50 miles per hour. My favorite thing was the little triangular window in front of the regular window, which you could aim right at your face when cruising on a hot day. Like, for instance, on your way to summer school.


Awesomeness in vehicular form.

My first class of the day was English (yes, I’d failed English), and it was pretty much filled with other delinquents. The teacher had a “this is summer school, you don’t want to be here, I don’t want to be here, let’s just get through this with a minimum of effort” kind of attitude, so it wasn’t too terrible. I constructed all of my vocabulary-test sentences using the names of bands or songs (I remember that one of the words was credence, which I turned into a sentence about Creedence Clearwater Revival, which for some reason impressed the teacher), and I wrote a book report on No One Here Gets Out Alive.

My second class was Analysis & Trigonometry. There were only four other students, and they were all taking it as an advanced course, to get a jump on their next year. In other words, they were there--in summer school--voluntarily. Like, on purpose. The part of me that remains an eternal adolescent still cannot wrap her head around that. So there I was, the sole delinquent in a class of math nerds who actually wanted to learn. The class was like, two and a half hours long, so the teacher would periodically give us ten-minute breaks, before which he’d always say, “We’re gonna take a break, so go outside, smoke a cigarette, whatever.” It struck me as odd, because there was no way those goody two-shoes mathies smoked. I, however, did.

I’d taken up the habit the previous summer, when I was visiting my grandparents in upstate New York along with my cousin B., who had already started smoking. After they’d turned in each night, B. and I would steal some of Nana’s cigarettes and a couple of Pop-Pop’s beers, and we’d walk up to a church at the end of their street, where we’d sit against the wall and smoke and drink, and talk about how exciting it was to be cartwheeling on the brink of independence. Not explicitly, of course, but that was the underlying theme.

I’ve always said there’s only one reason people start smoking, namely to be cool, although I’m sure that’s not really the only reason. For instance, there are places, cultures, or times when smoking is simply de rigueur, like the early-’60s advertising world of Mad Men. In my case, however, I started smoking because I desperately wanted to shed my image as a bookish nerd. I wanted to be cool. So I kept smoking when I got back home that summer, even though it’s not an easy habit to get in the swing of. Seriously, you have to really want to smoke, because it is so gnarly at first. But I really wanted to.

Coolness didn’t come from simply being a smoker, though. There’s a process involved in smoking, and every part of that process contributed to the amount of coolness conferred upon you. None of it was ever made express, of course. You just had to figure it out as you went along. Obviously, the brand of cigarettes you smoked was first on the list, but that wasn’t too difficult to suss out: pretty much everybody I knew smoked Marlboros. Marlboro Lights were also acceptable, but definitely carried fewer cool points. So I started smoking Marlboros, which was nice because my dad also smoked them, and I could steal a couple from him when I ran out. I started out buying the flip-top boxes because that’s what my dad bought (and I have to point out that a pack of cigarettes cost 85 cents at the time. Eighty-five cents! Change for your dollar! It seems crazy now that something that brings so much pleasure could cost so little), but quickly learned that soft packs were cooler. To open the pack in the coolest way, you would pull the red tab around and take off the top part of the cellophane, but leave the rest of the cellophane on so you could stick a book of matches in there. The top of the pack was foil with a band over the middle, and you’d unfold one side of the foil and then tear it off, leaving a hole big enough for maybe four cigarettes. To get one out, you’d put your index finger over most of the hole and do a quick flick of the wrist that, if performed correctly, caused a single cigarette to slide about halfway out. You’d then put the end of the cigarette in your mouth and smoothly pull the pack away.

Lighting a cigarette coolly was a bit more complex. Your choices for lighting were, in ascending order of coolness, cardboard matches, disposable lighters, wooden matches, and refillable metal lighters. There were exceptions, though—if, for instance, you were one of those people who could light a cardboard match not by plucking it from the book and using three or more fingers to hold and strike it, but by leaving it attached and folding it over so that the match head met the striking surface, then flicking it with just your thumb to light it, you were awarded substantial cool points. (I was not one of those people.)

Once the cigarette was lit--well, then things got really complicated. The different ways of holding a cigarette, putting it in your mouth, inhaling and exhaling, flicking the ashes, etc., all of which probably seem to a non-smoker fairly straightforward, are in fact so byzantine that to enumerate them and their attendant coolness points here is a greater task than I’ve set out to accomplish. Let’s move on to what’s actually relevant to this post, which is putting the cigarette out. Again, to the uninitiated it probably seems pretty simple: stub out the butt and walk away. And indeed, you could do that. But where do you stub it out? In an ashtray? Sure, if there’s one around, but if not, where? On the ground? Against a wall? On the bottom of your shoe? In your hand? I’m kidding on that last one, nobody does that in real life. But all of the other ones are viable options, and there are many others, all with varying degrees of coolness.

Do you see how overwhelming all of this can be? Most of the time, I went with the “throw it on the ground and crush it with your shoe” tactic. A classic, to be sure, and nothing to be frowned upon in those days when no one cared about the planet except Woodsy the Owl and the Crying Indian--but nothing special, either. I wanted something better. Something cooler. I wanted to execute The Flick. And I don’t mean just any flick, either. Anybody can do a basic flick: rest the butt on the pad of your thumb and hold it in place with the nail of your middle finger, then flick your finger forward and send the butt arcing through space. Easy, right? But with The Flick, there’s no arc, and that’s the key: The Flick sends your smoldering remnant of tobacco-y goodness rocketing into the Earth with the speed and truth of an arrow from the bow of a fucking Amazon, to explode in a shower of orange sparks. It is, in a word, cool.

Making it even cooler was the fact that the people I knew who regularly discarded their butts using The Flick executed the maneuver in a totally casual manner. They barely seemed to impart any energy into their Flicks, yet those tiny cylinders were launched as if they’d been Flicked by the Incredible Hulk. And they’d always start to turn away even as they were Flicking, as though they’d become so accustomed to successful Flickage that it wasn’t a big deal. “What’s that, a cigarette smashing into the pavement at 90 miles an hour and creating a mini Fourth of July display? Like I haven’t seen that a million times. Have they refilled the vending machine with Ho-Hos yet?”

A variant of The Flick was The Puddle Flick. A Puddle Flick was executed just like a regular Flick, but was even more impressive in that the Flicker had to hit a clear target, namely, a puddle or other nearby collection of water. Properly done, The Puddle Flick instantly extinguished your butt with a satisfying fssst, and carried the bonus of insulating you from the opprobrium of indignant hippies concerned by a burning stub left on the ground: “Hey man, you could totally set the grass on fire, man.” It was my burning--pun totally intended--desire to one day execute a perfect Puddle Flick. I practiced often, but could never quite get it down. I think I focused too much on imparting enough force to achieve the necessary velocity, and not enough on finger mechanics, to the detriment of the entire operation. Typically it seemed that most of the force was directed at my thumb. Either that or it was directed too far to one side of the butt, which just sent it spinning miserably to the ground a few inches from my feet.


OK, so here’s the actual memory I was talking about before this enormous digression: I was at summer school, in Analysis class, and the teacher called a break. The math nerds all stayed inside to like, do extra credit or something. I went out to cop a smoke. When I got outside, there was a dude with a boombox. I don’t know if he was listening to a tape or the radio, but I clearly remember that the song playing was “Mr. Crowley” by Ozzy Osbourne. There was also a chick sitting on the steps. They were both smoking, of course. I didn’t know either of them--something I forgot to mention back at the top is that my high school didn’t offer summer classes, so I was taking them at another school--but this chick was like, a perfect specimen of genus Newjerseyus, species burnoutus, subspecies metalheadus. She had the look that I totally coveted but could never hope to achieve: her dark hair was feathered, as was the norm, but like most burnout chicks, and in opposition to the general female populace, who styled and shellacked their ’dos to within a inch of their lives, the feathers hung lankly in her face. Her eyes were lined heavily in black, but the rest of her face was bare. She had the kind of full-lipped pout that always looked sexy when smoking. Purple feather earrings hung from her lobes. She was wearing a faded baseball jersey, white with periwinkle sleeves; soft, well-worn Levi’s with big holes in the knees; and black moccasin boots with fringe that, oh my god, I totally saw on sale at Nordstrom the other day! I can’t believe they’re back in style after all these years! Since she was sitting down I can’t be sure, but I’m willing to bet there was a bandanna, probably red, in her back pocket.

I sat on the other side of the stairs and smoked my cigarette. I probably exchanged burnout-style pleasantries with my compatriots, but I don’t actually remember if I did. What I remember is that when I was finished, I stood up and prepared to extinguish my cigarette butt. As I did so, I realized that there was a small puddle perhaps six or seven feet away from me. My mind started racing; I knew that this was a perfect opportunity to attempt a Puddle Flick. If I failed, I was subject to unspoken derision from Boombox Dude and Girl That I Very Much Wished I Could Be. But if I succeeded, here were two people who had never known me as that bookish nerd, and would forevermore recall me only as a totally cool person. I teed up the butt. Straining to appear as casual as possible, while secretly freaking out with every molecule in my body, I Flicked. As if loosed from the bow of Hippolyta herself, the tiny missile flew speedily and unerringly to its target. Fssst. A perfectly executed Puddle Flick. Tens all around, except from the Soviet judge, of course. So stunned was I by the sheer perfection I had achieved that I almost forgot to turn immediately and head back inside. But I did, and as I turned I caught the eye of Girl That I Very Much Wished I Could Be, and she gave me the subtlest of subtle nods, as though to say, “I, who am indeed very cool, acknowledge your similar coolness.” Looking back on it now, I think it may have been one of the finest moments of my life.

October 13, 2008

The Greatest Three Seconds of Silence in the Universe



I bought a turntable this weekend! I don't know what it says about my life, but this is easily the most exciting thing I've done in a while.

I've been meaning to buy one for a long time, and now and again I'd stop in at various secondhand electronics stores looking for a good used one, but I could never find one that wasn't outrageously expensive given its condition. Apparently the hipsters are digging vinyl now, which I guess is driving up the cost of "vintage" turntables. I finally figured that function mattered more than form, and decided to just buy a new one. You can now get turntables with USB connectors and audio-editing software for digitizing vinyl records, which I thought was a nifty idea, so I went for one of those.

Now, I haven't actually owned any vinyl in nearly 20 years. You may have heard the sad, sad tale of how my entire collection--well over 300 LPs--was stolen from my apartment when I lived in Camden, NJ in the late '80s, a psychic wound from which I'll never recover. Since vinyl was putatively moribund at the time, I switched to buying cassettes (possibly the worst medium ever concocted for transmitting sound) and eventually, with deep reluctance, CDs. (Over the years I've come to a grudging accord with CDs, but my experience of them will forever be colored by the first one I bought: 10,000 Maniacs' In My Tribe. I remember bemusedly staring at my speakers as I listened to it, trying to figure out what was wrong. It sounded airless and cold, like each band member had been hermetically sealed in plastic during recording. And that possibly the recording had been done on the space station from 2001.) But I've been looking forward to the day when I could start amassing a collection again.

I've read that some bands are now forgoing CDs altogether, and releasing their new material on vinyl along with a code that allows the buyer to download the record in digital form as well. May I say that I am kind of in love with this idea? It's absolutely the best of both worlds, and I plan to buy all my new music in that form if it's available. (May I also take a moment to delight, as others have, in the fact that it appears vinyl records will outlive CDs after all, and the sweet, sweet irony therein?) But for the time being, all I really want to do is haunt every record store in Portland and sort through the bins of used LPs.

In fact, after setting up my new turntable, I immediately made a beeline for Everyday Music, which, along with Music Millennium, is where I generally do most of my shopping. I had $20 in cash on me and I made a deal with myself not to spend more than that, but considering that the average cost of a used vinyl record seems to be about two to six dollars, I figured I could get five or six albums with that. I started flipping through the stacks, and instantly I was flooded with memories of the endless hours I'd spent doing the exact same thing as a teenager. Just the sensation in my hands as I held the upper corners of the records and flipped them forward one after another made me weirdly happy. Real records!

The first thing I came across that I wanted was the Allman Brothers Band's At Fillmore East. Ooooh, how long has it been since I've heard "Stormy Monday"? Gregg Allman can sing the blues like no other white dude, and his brother Duane was one of the few guitarists who could make a ten-minute jam seem too short. Alas, it was new and not used--and "audiophile quality" at that--and would have taken all of the money I had to spend. I was too excited about leaving with an armful of records, so I moved on.

I made it up to "H" before I reached my spending limit, and here's what I walked away with:

-The Association, Greatest Hits. I've recently become interested in baroque pop--in fact I'm listening to Lee Hazlewood & Nancy Sinatra as I write this--and someone recommended the Association as worth checking out. I know their big radio hits--"Cherish", "Never My Love", etc.--but I'm looking forward to digging a bit deeper into their catalog.

The Bangles, All Over the Place. This is one that I used to own. The tale of the Bangles is a sad but all-too-typical tale: this, their first album, was a flop, and after it flopped their record company gave them a makeover (by putting them in garish outfits that were hideous even by 1980s standards, which is really saying something), pushing Susanna Hoffs as the main focus onstage and onscreen, and "polishing" (read: crapping synthesizers all over) their sound. I hate everything the Bangles did post-makeover, but I love this record. It's a great hybrid of garage rock and jangle pop, and would be worth buying even if it only contained their dreamily sublime cover of Katrina and the Waves' "Going Down to Liverpool".

Blondie, Eat to the Beat. Another one from the old collection, and probably my favorite Blondie album. "Dreaming" is such an incredible pop song, and--speaking of dreamily sublime--"Shayla" still kills me every time I hear it. I'm so glad to have this album again.

Ellen Foley, Nightout. Foley was known, if she was known at all, as a musical foil to the likes of Meat Loaf and Ian Hunter rather than for her own work. I've never heard this record but I've always thought she had one of the most amazing voices in rock. More on that in a future post.

Heart, Dreamboat Annie. The Heart that I knew growing up was the '80s Heart, with their gross power ballads and videos that used camera tricks in a vain and sad attempt to hide Ann Wilson's weight. Classic rock radio played their earlier hits from the '70s, of course, but it was impossible to extricate that past from the then-present, and...well, long story short, I never liked Heart. Then one day, several years ago, I was at a vintage clothing store in Berkeley and I heard a beautiful song playing. I asked what it was, and turns out it was the title track to Dreamboat Annie, their 1976 debut. I've had a mental note ever since to pick it up when I got the chance. This was the record I put on when I got home, and I must say it makes a perfect accompaniment to an autumn afternoon in the Northwest.

I never realized how much I missed the ritual of putting on a vinyl record. Pulling the sleeve out of the cover, slipping the record out of the sleeve and balancing it with my thumb on the edge and fingers on the label, slipping it over the spindle....

And then, lifting the needle. Hearing it drop with that deeply satisfying ka-thunk, followed by the greatest three seconds of silence in the universe. The silence in which I wait, electric with anticipation, for my soul to be filled with real music once again.

October 3, 2008

An Open Letter To The Cute Eastern-European-Looking Girl Who Rides The MAX With Me Every Day

Dear Cute Eastern-European-Looking Girl Who Rides The MAX With Me Every Day,

I don’t remember when it was that I first took notice of you, but I know that it was your style of dress that caught my eye. With your vintage/thrift store dresses, tights, and ballerina flats, you remind me of this girl I had a crush on when I worked at Brentano’s in the Bridgewater Commons Mall, some twenty years ago. Urgh, what was her name? It escapes me now. She worked a couple of doors down at the store that sold fancy stationery. Actually, you know what, when your hair was long and all one length, you reminded me a lot of early-’80s Natalie Merchant, and let me tell you, that’s a major compliment. I thought she was the coolest chick in the world back then.

Then you got your hair cut, shoulder-length and layered, with side-swept bangs. At first I was all, “Wha-huh?”, but then I saw how it enhanced your Eastern European features. Seriously, you have the most amazing face. You look like a lost member of the Romanovs--like you should always be sepia-toned and wearing a high lace collar. I wonder what your ethnic ancestry really is.

But mostly what I wonder about you, Cute Eastern-European-Looking Girl Who Rides The MAX With Me Every Day, is why you are always late for the train. We take the same train every day, and every day it arrives at our stop at the same time. Yet every day you come speed-walking along the platform, heading for the ticket machine, while the train is already bearing down on the station. I have to admit I get all angsty on your behalf, especially knowing how peevish those machines can be. Sometimes as I step onto the train I catch a glimpse of you at the other end, bending over to collect your ticket from the tray, or even still feverishly pushing buttons, and I have to turn away, because I can’t stand the thought of that robotic voice intoning, with its grave finality, “The doors…are closing,” and you furrowing your side-swept-bang-covered brow in frustration as you stand there, freshly minted ticket in hand, while the train pulls away and its work-bound riders look dully on. This morning you were even later than usual, and actually had to run the last half-block to beat the doors. My breakfast of shredded wheat, banana, and soymilk was burbling around in my stomach as I nervously but silently cheered you on, and I was thrilled that you made it--but then I started to worry that because you hadn’t bought a ticket, you’d get a citation from a fare inspector. Fortunately (?), there’s almost never a fare inspector on our train. Thank heaven for TriMet’s poor planning, right? By the way, I liked your purple umbrella, and I made a little joke to myself, asking where your fifty-cent hat was.

But again, I’m wondering: why don’t you leave your house just a minute or two earlier? Look, I’m forever running late myself, so it’s not like I’m not sympathetic, but I know exactly how long it takes for me to walk at a comfortable pace from my house to the station, and no matter what, I make sure I’m out the door in time to arrive before the train does. Also, why do you continue to buy single tickets from the machine? Those machines were built by the minions of Mephistopheles. Since it appears that you work downtown, why not stop in at Pioneer Square or PSU and pick up a ten-pack, or better yet, a monthly pass? Seriously, I’m not saying this just because I work at a place that sells passes. It’s not like I get a commission or anything. But trust me, you will love having that pass in your wallet and knowing that you can hop on a train, bus, or streetcar anytime it strikes your fancy, without having to worry about buying a ticket. And this month they are a lovely pumpkin orange.

I know I work in alternative transportation, Cute Eastern-European-Looking Girl Who Rides The MAX With Me Every Day, but I am not proselytizing. I am thinking only of you.

Love,
Jenny